{"id":2846,"date":"2017-12-14T10:13:19","date_gmt":"2017-12-14T10:13:19","guid":{"rendered":"http:\/\/longkft.hu\/audioblog\/?p=2846"},"modified":"2020-06-05T17:41:45","modified_gmt":"2020-06-05T17:41:45","slug":"zoran","status":"publish","type":"post","link":"https:\/\/longkft.hu\/audioblog\/zoran\/","title":{"rendered":"Sztevanovity Zor\u00e1n (\u0417\u043e\u0440\u0430\u043d \u0421\u0442\u0435\u0432\u0430\u043d\u043e\u0432\u0438\u045b) – Zor\u00e1n"},"content":{"rendered":"

1942-ben Belgr\u00e1dban megsz\u00fcletett egy szerb kisfi\u00fa – Zor\u00e1n -, majd ’45-ben vil\u00e1gra j\u00f6tt az „\u00f6csike” (Dus\u00e1n), akik 1948-ban – sz\u00fcleikkel egy\u00fctt – politikai „migr\u00e1nsk\u00e9nt” meg\u00e9rkeztek Magyarorsz\u00e1gra. Akkoriban az orsz\u00e1got nem bor\u00edtott\u00e1k be „hangulatkelt\u0151 plak\u00e1tok”, nem voltak tele a szemetesv\u00f6dr\u00f6k, kuk\u00e1k konzult\u00e1ci\u00f3s k\u00e9rd\u0151\u00edvekkel, \u00edgy a „magyar emberek” nem r\u00e9m\u00fcltek hal\u00e1lra a szerb csal\u00e1dt\u00f3l.\u00a0<\/span>Ezt persze k\u00e9s\u0151bb n\u00e9h\u00e1ny apa, f\u00e9rj \u00e9s egy\u00e9b f\u00e9rfitartoz\u00e9k alaposan meg is b\u00e1nta, mert a kamassz\u00e1, majd f\u00e9rfiv\u00e9 cseperedett Sztevanovity fiv\u00e9rek bizony igencsak j\u00f3k\u00e9p\u0171ek lettek, akik minden gond n\u00e9lk\u00fcl csavart\u00e1k el l\u00e1nyok, asszonyok fej\u00e9t – vagyis rontott\u00e1k meg a magyar honle\u00e1nyokat.\u00a0<\/span>A „migr\u00e1nsprobl\u00e9ma” akkor kezdett el igaz\u00e1n kics\u00facsosodni, amikor a beatmozgalom hajnal\u00e1n el\u0151bb Zor\u00e1n, majd ’64-t\u0151l Dus\u00e1n is git\u00e1rt ragadott, sz\u00ednpadra \u00e1llt \u00e9s s\u00e1rmos zen\u00e9szekk\u00e9nt a n\u0151i sz\u00edvek – \u00e9s Romana reg\u00e9nyek – h\u0151sszerelmeseiv\u00e9 v\u00e1ltak.<\/span><\/p>\n

1971-ben Dus\u00e1n szak\u00edtott az akt\u00edv zen\u00e9l\u00e9ssel \u00e9s t\u00e1vozott testv\u00e9re mell\u0151l a Metro<\/a><\/span> zenekarb\u00f3l – mi azonban maradjunk m\u00e9g egy kicsit n\u00e1la.\u00a0<\/span>A magyar nyelv fennmarad\u00e1s\u00e1nak, sz\u00e9ps\u00e9ge meg\u0151rz\u00e9s\u00e9nek biztos\u00edt\u00e9k\u00e1t a reg\u00e9nyek, novell\u00e1k, versek \u00e9s azok \u00edr\u00f3i biztos\u00edtj\u00e1k. Napjaink mindenkihez eljut\u00f3 „verseit”, a dal- \u00e9s musical sz\u00f6vegek jelentik, melyek k\u00f6z\u00fcl n\u00e9h\u00e1ny m\u00e9lt\u00f3 k\u00f6vet\u0151j\u00e9nek sz\u00e1m\u00edt Pet\u0151fi, Arany, Ady, J\u00f3zsef Attila munk\u00e1ss\u00e1g\u00e1nak. Adamis Anna, Br\u00f3dy J\u00e1nos, Horv\u00e1th Attila „verseit” – de nagy-nagy lelkesed\u00e9ssel ide sorolom Szi\u00e1mi minden egyes sor\u00e1t is – \u00e9vsz\u00e1zadok m\u00falva is ugyan\u00fagy ismerni fogj\u00e1k, mint a kor\u00e1bbi „klasszikus” nagyok\u00e9t.\u00a0<\/span>A sort felt\u00e9tlen\u00fcl ki kell eg\u00e9sz\u00edten\u00fcnk Dus\u00e1n nev\u00e9vel is, aki ugyan csak hat\u00e9vesen tanult meg magyarul, s aki nem magyark\u00e9nt, nem Magyarorsz\u00e1gon sz\u00fcletett, de verseivel, dalsz\u00f6vegeivel \u00f6r\u00f6kre be\u00edrta nev\u00e9t a magyar nyelv „nagyk\u00f6nyv\u00e9be”.<\/span><\/p>\n

…de t\u00e9rj\u00fcnk is vissza Zor\u00e1nra, aki Dus\u00e1n t\u00e1voz\u00e1sa ut\u00e1n ott maradt a veget\u00e1l\u00f3 \u00e9s „\u00e1tj\u00e1r\u00f3 h\u00e1zk\u00e9nt” m\u0171k\u00f6d\u0151 Metro<\/a><\/span> egy\u00fcttes \u00e9l\u00e9n, aminek \u00f6sszetart\u00e1sa rem\u00e9nytelen \u00e9s \u00e9rtelmetlen v\u00e1llalkoz\u00e1s volt. 1972 \u0151sz\u00e9n egy lengyel \u00e9s NSZK turn\u00e9 ut\u00e1n a Zenekar feloszlott.<\/span><\/p>\n

Zor\u00e1nnak volt m\u00e9gy egy zenekari pr\u00f3b\u00e1lkoz\u00e1sa, r\u00e1ad\u00e1sul egy olyan, ami sem habitus\u00e1val, sem zenei st\u00edlus\u00e1val nem volt \u00f6sszeegyeztethet\u0151 (szerintem) – \u00e1tmenetileg basszusgit\u00e1rozott \u00e9s \u00e9nekelt a Taurus egy\u00fcttesben.<\/span><\/p>\n

Ezek ut\u00e1n meglehet\u0151sen neh\u00e9z id\u0151szak k\u00f6vetkezett Zor\u00e1n sz\u00e1m\u00e1ra – el kellett d\u00f6ntenie, hogyan tov\u00e1bb. Marad a j\u00f3lf\u00e9s\u00fclt \u00e9s ny\u00e1las „Feh\u00e9r szikl\u00e1s” zs\u00e1ner, vagy t\u00e9nyleg lesz mondanival\u00f3ja \u00e9s t\u00e9nyleg igazi \u00e9nekess\u00e9, val\u00f3di el\u0151ad\u00f3m\u0171v\u00e9ssz\u00e9 n\u00f6vi ki mag\u00e1t. 1973-t\u00f3l azt\u00e1n volt minden, ami belef\u00e9r. Haknizott Ausztri\u00e1ban, NSZK-ban, fesztiv\u00e1lozott Magyarorsz\u00e1gon, Lengyelorsz\u00e1gban \u00e9s a Szovjetuni\u00f3ban, koncertezett a Geminivel<\/a><\/span>, Express-szel, Cserh\u00e1ti Zsuzs\u00e1val…<\/span><\/p>\n

1976 nyar\u00e1n v\u00e9g\u00fcl tal\u00e1lkozott Presser G\u00e1borral!<\/span><\/h4>\n

Akiben Presser tehets\u00e9get l\u00e1t, akit „k\u00e9zbe vesz”, az nem menek\u00fcl att\u00f3l, hogy olyan \u00e9rt\u00e9keket hozzon ki mag\u00e1b\u00f3l, amelyekr\u0151l \u00f6nmaga sem tudott.\u00a0<\/span>Presser ’76-ban teh\u00e1t k\u00e9zbe vette a „Feh\u00e9r szikl\u00e1s” Aradszky L\u00e1szl\u00f3t (bocs\u00e1nat mindenkit\u0151l) \u00e9s aff\u00e9le magyar Higgins professzork\u00e9nt \u00e9letre keltette bel\u0151le Sztevanovity Zor\u00e1nt a Zen\u00e9szt, az El\u0151ad\u00f3m\u0171v\u00e9szt.\u00a0<\/span>Kettej\u00fck tal\u00e1lkoz\u00e1s\u00e1nak az eredm\u00e9nye r\u00e1ad\u00e1sul egy tri\u00f3 lett, hisz Presser nem csak Zor\u00e1nra, hanem egyben Dus\u00e1nra a sz\u00f6veg\u00edr\u00f3ra is r\u00e1tal\u00e1lt.<\/span><\/p>\n

Els\u0151 k\u00f6z\u00f6s munk\u00e1juk az „Ap\u00e1m hitte” c. opusz volt, ami egy\u00e9rtelm\u0171en jelezte, Zor\u00e1n megtal\u00e1lta (kital\u00e1lta?) saj\u00e1t mag\u00e1t \u00e9s megtal\u00e1lta szerz\u0151t\u00e1rsait, aminek folyamodv\u00e1nyak\u00e9nt 1977-ben v\u00e9gre elk\u00e9sz\u00edthette els\u0151 sz\u00f3l\u00f3album\u00e1t a MAFILM St\u00fadi\u00f3j\u00e1ban.\u00a0<\/span>’77-ben t\u00f6rt\u00e9nt azonban valami m\u00e1s is Zor\u00e1n \u00e9let\u00e9ben, ami akkori kamaszk\u00e9nt „komoly” sebet \u00fct\u00f6tt a lelkemben. Feles\u00e9g\u00fcl vette ifj\u00fas\u00e1gom n\u0151ide\u00e1lj\u00e1t, a Kenguru<\/a><\/span> „stopposl\u00e1ny\u00e1t”, Darink\u00e1t az „Egy erk\u00f6lcs\u00f6s \u00e9jszak\u00e1b\u00f3l” – Tarj\u00e1n Gy\u00f6rgyit<\/a><\/span>.<\/span><\/p>\n

Az els\u0151 Zor\u00e1n sz\u00f3l\u00f3lemez<\/span><\/h4>\n

\"Zor\u00e1n\"<\/p>\n

Az els\u0151 Zor\u00e1n album komoly meglepet\u00e9st okozott. Megmaradt ugyan Zor\u00e1n kicsit naz\u00e1lis \u00e1m meleg, kedves hangja, de elt\u0171nt bel\u0151le minden p\u00f3z, elt\u0171nt bel\u0151le a j\u00f3lf\u00e9s\u00fclt kisfi\u00fa, elt\u0171nt bel\u0151le a szirup – ugyanaz volt, de m\u00e9gis eg\u00e9szen m\u00e1s. Ugyanaz volt az \u00e9nekes az \u00e9nekl\u00e9si st\u00edlus is, mint kor\u00e1bban, csak egy eg\u00e9szen \u00faj min\u0151s\u00e9gi szinten. Ez m\u00e1r nem Metro<\/a><\/span>, nem „Feh\u00e9r szikl\u00e1k”, nem nagymam\u00e1kat (is) k\u00f6nnyeztet\u0151 \u00f6lt\u00f6ny\u00f6s, nyakkend\u0151s fi\u00facska volt, hanem megsz\u00fcletett a magyar Leonard Cohen, a magyar Bob Dylan.\u00a0<\/span>Presser \u00e9s Zor\u00e1n megteremtett, kital\u00e1lt egy \u00faj m\u0171fajt, amit \u00fagy h\u00edvnak Sztevanovity Zor\u00e1n.<\/span><\/p>\n

Az els\u0151 lemez az \u00e9nekes \u00e1tv\u00e1ltoz\u00e1s\u00e1n \u00e9s persze a zen\u00e9n k\u00edv\u00fcl tartogatott m\u00e9g egy pozit\u00edv meglepet\u00e9st a hallgat\u00f3knak, a rajta szerepl\u0151 zen\u00e9szeket. Term\u00e9szetesen zen\u00e9l rajta a teljes LGT<\/a><\/span>, de hallhatjuk rajta a jazz-m\u0171faj legnagyobbjai k\u00f6z\u00fcl is t\u00f6bbek brili\u00e1ns j\u00e1t\u00e9k\u00e1t, a vokalist\u00e1k n\u00e9vsora pedig egyenesen olyan, mint egy szt\u00e1rpar\u00e1d\u00e9.<\/span><\/p>\n

\"Zor\u00e1n\"<\/p>\n

J\u00f3 lemez. \u00dajra meghallgatva, nagyon j\u00f3 – \u00e9s egyre jobb \u00e9s jobb, ahogy a hallgat\u00f3 felfedezi az apr\u00f3 r\u00e9szleteket, az apr\u00f3 kis kisz\u00f3l\u00e1sokat, zen\u00e9szi \u00f6sszj\u00e1t\u00e9kokat. A hangszerek, a hangok \u00f6sszess\u00e9ge olyan, mint egy b\u00f6lcs\u0151, amibe t\u00f6k\u00e9letesen beleillik Zor\u00e1n org\u00e1numa. Nem l\u00f3g ki semmi, nincs egyetlen disszon\u00e1ns hang, nincs semmi zavar\u00f3 momentum, m\u00e9gsem altat el, m\u00e9gsem untat, felkelti a figyelmet, \u00e9beren tart, de nem f\u00e1raszt.<\/span><\/p>\n

Galla Mikl\u00f3s ’77-es kritik\u00e1j\u00e1ban a maga megszokott (\u00e1m akkoriban m\u00e9g kiforratlan) st\u00edlus\u00e1ban az albumot \u00e9s az „\u00faj” Zor\u00e1nt egyr\u00e9szt David Bowie-hoz, Elton John-hoz hasonl\u00edtja, m\u00e1sr\u00e9szt sablonosnak, k\u00f6zhelyesnek, egyhang\u00fanak, unalmasnak tartja.\u00a0<\/span>M\u00e1r csak ez\u00e9rt is \u00e9rdemes meghallgatni!<\/span><\/p>\n

Tov\u00e1bbi Zor\u00e1n
\n<\/a>Tov\u00e1bbi lemezkritik\u00e1k<\/a><\/span><\/p>\nMegosztom:<\/span>
<\/a><\/a><\/a><\/a><\/a>","protected":false},"excerpt":{"rendered":"

1942-ben Belgr\u00e1dban megsz\u00fcletett egy szerb kisfi\u00fa – Zor\u00e1n -, majd ’45-ben vil\u00e1gra j\u00f6tt az „\u00f6csike” (Dus\u00e1n), akik 1948-ban – sz\u00fcleikkel…<\/p>\nMegosztom:<\/span>
<\/a><\/a><\/a><\/a><\/a>","protected":false},"author":2,"featured_media":2836,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[39],"class_list":["post-2846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lemezkritika","tag-enekesek"],"yoast_head":"\nSztevanovity Zor\u00e1n (\u0417\u043e\u0440\u0430\u043d \u0421\u0442\u0435\u0432\u0430\u043d\u043e\u0432\u0438\u045b) - Zor\u00e1n - Longaudio<\/title>\n<meta name=\"description\" content=\"Sztevanovity Zor\u00e1n els\u0151 \u00f6n\u00e1ll\u00f3 albuma a Metro egy\u00fcttes feloszl\u00e1sa ut\u00e1n. 1977-ben k\u00e9sz\u00edtette. 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