{"id":2973,"date":"2017-10-18T12:19:25","date_gmt":"2017-10-18T12:19:25","guid":{"rendered":"http:\/\/longkft.hu\/audioblog\/?p=2973"},"modified":"2018-03-05T14:08:44","modified_gmt":"2018-03-05T14:08:44","slug":"hazel-oconnor-breaking-glass-uvegtorok","status":"publish","type":"post","link":"https:\/\/longkft.hu\/audioblog\/hazel-oconnor-breaking-glass-uvegtorok\/","title":{"rendered":"Hazel O’Connor – Breaking Glass (\u00dcvegt\u00f6r\u0151k)"},"content":{"rendered":"

Az \u00f6r\u00f6k szerelem –\u00a0Hazel O’Connor<\/strong><\/span><\/p>\n

Sem az \u00e9nekesn\u0151r\u0151l, sem az albumr\u00f3l (\u00e9s annak alapj\u00e1ul szolg\u00e1l\u00f3 filmr\u0151l) nem tudok elfog\u00f3dotts\u00e1g n\u00e9lk\u00fcl \u00edrni.\u00a0<\/span>A hanglemezt t\u00f6bb sz\u00e1zszor meghallgattam, az „\u00dcvegt\u00f6r\u0151k” c. filmet pedig a nyolcvanas \u00e9vek elej\u00e9n \/ k\u00f6zep\u00e9n az \u00f6sszes sz\u00e1momra el\u00e9rhet\u0151 mozi \u00f6sszes vet\u00edt\u00e9s\u00e9n megn\u00e9ztem.\u00a0<\/span>A f\u0151 ok term\u00e9szetesen Hazel O’Connor szem\u00e9lye volt, de megfogott a filmben bemutatott vil\u00e1g az \u00f6sszes szenny\u00e9vel egy\u00fctt, \u00e9s megfogott a zene, ami eg\u00e9szen m\u00e1s volt, mint az addig nagy kedvencem, az „\u0151szinte, k\u0151kem\u00e9ny rock”.<\/span><\/p>\n

\"Hazel<\/p>\n

A hetvenes \u00e9vek v\u00e9g\u00e9re a nagy rock band\u00e1k \u00e9s zen\u00e9szek kiadt\u00e1k magukb\u00f3l a „l\u00e9nyeget”, \u00fajabb \u00e9s \u00fajabb albumaik m\u00e1r nem \u00e9rt\u00e9k el a kor\u00e1bbi sz\u00ednvonalat, feloszlottak, \u00e1talakultak, vagy \u00e9ppen a drog \u00e9s alkohol folyamodv\u00e1nyak\u00e9nt meghaltak. Maga a rockzene kezdett „haldoklani” – \u00e9s persze hal\u00f3dik az\u00f3ta is, mert valljuk be \u0151szint\u00e9n,a hatvanas \u00e9vek v\u00e9g\u00e9nek \u00e9s a hetvenes \u00e9veknek legjobb albumait az\u00f3ta sem siker\u00fcl m\u00e9g csak megk\u00f6zel\u00edteni sem.\u00a0<\/span>Teh\u00e1t a rockzene \u00e9s az az\u00e9rt rajong\u00f3 gener\u00e1ci\u00f3 kezdett „megf\u00e1sulni” (meg\u00f6regedni), kellett valami \u00faj, kellett valami, ami felr\u00e1zza a zenei ipart, kellett valamilyen \u00fajfajta zene, amit az ifjabb gener\u00e1ci\u00f3 mag\u00e1nak \u00e9rezhetett.<\/span><\/p>\n

\u00c9rdekes helyzet \u00e9s korszak lehetett, ami egyr\u00e9szt kitermelte a sokat vitatott \u00e9s k\u00fcl\u00f6nb\u00f6z\u0151 szinten megvetett \u00e9s egyben megvett(!) punkzen\u00e9t, valamint kitermelte a lemezkiad\u00f3k \u00e1ltal (is) kital\u00e1lt new wave-et. \u00c9rdekes m\u00f3don, a k\u00e9t m\u0171faj egyszerre \u00e1ll nagyon t\u00e1vol, s egyben nagyon k\u00f6zel egym\u00e1shoz – maga Hazel is a punkzene vil\u00e1g\u00e1b\u00f3l lett pillanatok alatt new wave vil\u00e1gszt\u00e1r…<\/span><\/p>\n

1979-ben Hazel O’Connor – mik\u00f6zben azon kesergett, hogy „1 fontos” dalszerz\u0151k\u00e9nt \u00edrja az igencsak k\u00f6z\u00e9pszer\u0171 dalokat az Albion Records sz\u00e1m\u00e1ra – telefoncs\u00f6rg\u00e9sre riadt. A h\u00edv\u00f3 egy „sosem hallott” casting \u00fcgyn\u00f6ks\u00e9g embere volt, aki visszautas\u00edthatatlan aj\u00e1nlatot tett.<\/span><\/p>\n

Andy Czezowski, a londoni Roxy punk klub<\/a><\/span> tulajdonosa kital\u00e1lta, hogy k\u00e9sz\u00edttet egy tv-filmet, a punk klubok \u00e9let\u00e9r\u0151l, a punk „\u00e9let\u00e9rz\u00e9sr\u0151l”, amivel tulajdonk\u00e9ppen saj\u00e1t klubj\u00e1t rekl\u00e1mozza – ennek f\u0151szerep\u00e9t aj\u00e1nlott\u00e1k fel a teljesen ismeretlen (\u00e9s alapvet\u0151en tehets\u00e9gtelennek tartott) Hazel O’Connor sz\u00e1m\u00e1ra.<\/span><\/p>\n

\"\"<\/p>\n

A film v\u00e9gleges forgat\u00f3k\u00f6nyve \u00e9s annak zen\u00e9je menet k\u00f6zben alakult, egym\u00e1shoz „idomult”, s\u0151t, menet k\u00f6zben elvetett\u00e9k az „50 perces” tv-film tervet \u00e9s igazi mozifilmet k\u00e9sz\u00edtettek.\u00a0<\/span>Az eredetileg elk\u00e9pzelt punk „\u00e9let\u00e9rz\u00e9sb\u0151l”, a v\u00e9gleges film aff\u00e9le new wave cult film lett, az „1 fontos” Hazel pedig v\u00e9gre bebizony\u00edtotta, hogy tud igaz\u00e1n \u00e9rt\u00e9kes \u00e9s maradand\u00f3 dalsz\u00f6vegeket, dalokat is \u00edrni.<\/span><\/p>\n

A film<\/h3>\n

A film t\u00f6rt\u00e9net\u00e9t ak\u00e1r sablonosnak is tekinthetn\u00e9nk: Kate a sikertelen \u00e1m boldog \u00e9s szerelmes \u00e9nekesn\u0151b\u0151l megkeseredett, szerelm\u00e9t \u00e9s m\u00faltj\u00e1t elveszt\u0151 vil\u00e1gszt\u00e1r lesz – vesz\u00e9lyes dolog a szt\u00e1rs\u00e1g.\u00a0<\/span>A filmet v\u00e9gigk\u00eds\u00e9r\u0151 zene, Hazel sz\u00edn\u00e9szi j\u00e1t\u00e9ka, \u00e1talakul\u00e1sa (\u00f6nmaga ad\u00e1sa), az \u00e1tmenet bemutat\u00e1sa a punk kocsm\u00e1k koszos hangulat\u00e1b\u00f3l a szt\u00e1rs\u00e1g sterils\u00e9g\u00e9be, egy rendk\u00edv\u00fcl szerethet\u0151 \u00e9s t\u00e9nyleg katartikus alkot\u00e1st eredm\u00e9nyezett.<\/span><\/p>\n

K\u00fcl\u00f6n ki kell, hogy emeljem Jonathan Pryce<\/a><\/span> alak\u00edt\u00e1s\u00e1t, a f\u00e9lig s\u00fcket szaxofonos szerep\u00e9ben, aki mindig ott van, mindig seg\u00edt, akire mindig lehet t\u00e1maszkodni, s akir\u0151l a filmben v\u00e9gig elhissz\u00fck, hogy val\u00f3j\u00e1ban tud szaxofonozni – de nem, \u00e9nekelni viszont ann\u00e1l jobban. Tulajdonk\u00e9ppen a teljes szerepl\u0151g\u00e1rd\u00e1ban \u0151 az egyetlen sz\u00edn\u00e9sz, nem is ak\u00e1rmilyen!<\/span><\/p>\n

\"\"<\/p>\n

A zene<\/h3>\n

A film azonnal nagy siker lett, Hazel O’Connor azonnal \u00fcnnepelt szt\u00e1rr\u00e1 v\u00e1lt (a val\u00f3s\u00e1gban is), a filmb\u0151l k\u00e9sz\u00fclt albumb\u00f3l pedig t\u00f6bb milli\u00f3 p\u00e9ld\u00e1nyt adtak el, 28 h\u00e9tig egyfolyt\u00e1ban szerepelt a sl\u00e1gerlist\u00e1kon.\u00a0<\/span>A siker k\u00fcl\u00f6n\u00f6s folyamodv\u00e1nya, hogy Hazel O’Connor a Breaking Glass zenei anyag\u00e1val azonnal koncertk\u00f6r\u00fatra mehetett, amely turn\u00e9n egy akkoriban teljesen ismeretlen csapat a Duran-Duran k\u00eds\u00e9rte, s amely zenekar v\u00e9geredm\u00e9nyben sokkal h\u00edresebb, „szt\u00e1rabb” lett, mint maga Hazel O’Connor.<\/span><\/p>\n

\"Hazel<\/p>\n

Nem igaz\u00e1n tudni az okokat, de a szocialista rendszerben bev\u00e1lt gyakorlat ellen\u00e9re a filmet a szok\u00e1sos 10-15 \u00e9v \u00e1tfut\u00e1si id\u0151 helyett ’82-ben el kezdt\u00e9k vet\u00edteni az akkori filmklubok, \u00edgy Magyarorsz\u00e1gon is pillanatok alatt ismertt\u00e9 \u00e9s kedveltt\u00e9 v\u00e1lt.\u00a0<\/span>A hanglemez beszerz\u00e9se azonban komoly akad\u00e1lyokba \u00fctk\u00f6z\u00f6tt, ahhoz kiz\u00e1r\u00f3lag k\u00fclf\u00f6ldi kapcsolatokkal, k\u00fclf\u00f6ld\u00f6n \u00e9l\u0151 rokonokkal rendelkez\u0151k juthattak hozz\u00e1, vagy megfelel\u0151 anyagiak ellen\u00e9ben n\u00e9h\u00e1ny hazai „seftesn\u00e9l” lehetett beszerezni.\u00a0<\/span>Ezen okok miatt az es\u00e9lytelenek nyugalm\u00e1val rendeztem el magamban, hogy soha nem lesz Hazel O’Connot lemezem, \u00edgy igazi traumak\u00e9nt \u00e9rt, amikor ’82 kar\u00e1csony\u00e1n egy nagyon kedves ismer\u0151s\u00f6m (ez\u00faton is cs\u00f3koltatom) val\u00f3di J\u00e9zuskak\u00e9nt megaj\u00e1nd\u00e9kozott vele…<\/span><\/p>\n

A tal\u00e1lkoz\u00e1s<\/h3>\n

1984. december 17. rendk\u00edv\u00fcl fontos d\u00e1tum Hazel O’Connorr-al val\u00f3 viszonyomban – ekkor j\u00f6tt el\u0151sz\u00f6r Magyarorsz\u00e1gra, s hallgathattam meg el\u0151sz\u00f6r a Breaking Glass zenei anyag\u00e1t koncerten. A koncert sk. kal\u00f3zfelv\u00e9tel\u00e9t a mai napig \u0151rz\u00f6m. K\u00e9s\u0151bb t\u00f6bbsz\u00f6r is volt alkalmam m\u00e9g l\u00e1tni, hallani, de mindig az els\u0151 tal\u00e1lkoz\u00e1s az igaz\u00e1n meghat\u00e1roz\u00f3…<\/span><\/p>\n

Az album – a film n\u00e9lk\u00fcl is – a mai napig \u00f6n\u00e1ll\u00f3 \u00e9letet \u00e9l. Rendszeresen el\u0151ker\u00fcl, utalnak r\u00e1. Maga Hazel is legk\u00f6zelebb novemberben tart Breaking Glass turn\u00e9t, amely sor\u00e1n a teljesen ugyanolyan \u00e1m m\u00e9gis nagyon-nagyon rossz Cover Plussz \u00e9s az egy kicsit jobb Sons and Lovers anyag\u00e1t is \u00fajra bemutatja.<\/span><\/p>\n

Ezzel vissza is jutottunk a filmbeli Kate t\u00f6rt\u00e9net\u00e9hez, aki nagyon gyorsan a cs\u00facsra \u00e9rt, de hogy meddig maradt (marad) ott m\u00e1r er\u0151sen k\u00e9ts\u00e9ges.\u00a0<\/span>Hazel O’Connor 1980-ban olyan cs\u00facsra \u00e9rt, amit soha t\u00f6bbet m\u00e9g csak megk\u00f6zel\u00edteni sem tudott. Felt\u00e9tlen \u00e9s lelkes rajong\u00f3jak\u00e9nt az „\u00dcvegt\u00f6r\u0151k\u00f6n” k\u00edv\u00fcl mind\u00f6ssze egy albumot tudn\u00e9k kiemelni lassan 40 \u00e9ves zenei p\u00e1lyafut\u00e1s\u00e1b\u00f3l:\u00a0<\/span>Over the Moon – koncertfelv\u00e9tel 1993.\u00a0<\/span>A lemez legk\u00fcl\u00f6nlegesebb sz\u00ednfoltja az, amikor a new wave ikonikus alakja el\u00e9nekli Gershwin legismertebb szerzem\u00e9ny\u00e9t, a jazz-m\u0171faj alapm\u0171v\u00e9t a Summertime-ot…<\/span><\/p>\n

Tov\u00e1bbi lemezkritik\u00e1k<\/a><\/span><\/p>\nMegosztom:<\/span>
<\/a><\/a><\/a><\/a><\/a>","protected":false},"excerpt":{"rendered":"

Az \u00f6r\u00f6k szerelem –\u00a0Hazel O’Connor Sem az \u00e9nekesn\u0151r\u0151l, sem az albumr\u00f3l (\u00e9s annak alapj\u00e1ul szolg\u00e1l\u00f3 filmr\u0151l) nem tudok elfog\u00f3dotts\u00e1g n\u00e9lk\u00fcl…<\/p>\nMegosztom:<\/span>
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